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For the latest news, follow us on Facebook, Twitter, and Instagram.Magix Sound Forge Pro Suite 12 1 0 170 (圆4) Serial Key The Best Pop Culture Halloween Costumes for 2022: From 'House of the Dragon' to 'Euphoria' (Pictured: Art Laboe at the 2008 Hollywood Christmas Parade)Ĭonstance Wu Gets Candid in Revealing New Memoir 'Making a Scene' He was predeceased by two sons, three sisters and one brother. In his later years, Laboe was dedicated to philanthropic work through his Art Laboe Foundation, which focuses on helping the underprivileged, animal charities and providing scholarship funds for high school students.

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Laboe also was involved with music licensing for such films as “Dirty Dancing,” “La Bamba,” “Lethal Weapon,” Good Morning Vietnam” (all released in 1987) and 1989’s “Born on the Fourth of July.” Original Sound Entertainment also represented songs for film and TV licensing by such notables as the Beach Boys, Jerry Lee Lewis, Ritchie Valens, the Stylistics, the Everly Brothers, Little Richard, Johnny Cash, Carl Perkins and the Isley Brothers. George Lucas worked with Laboe on licensing tunes for the soundtrack of his 1973 smash “American Graffiti,” and Laboe was proud of ensuring that the artists got their due and their cut of licensing revenue. Laboe was often tapped by Hollywood as a consultant and music producer. Through his Original Sound Entertainment, he released Oldies But Goodies and Dedicated to You collections that helped preserve a host of West Coast one-hit wonders such as “Angel Baby” by Rosie and the Originals and the original “Earth Angel” by the Penguins. Around that time, as a new generation of acts began to overshadow the 1940s and ’50s musical pioneers, Laboe saw an opportunity to tap into nostalgia with compilation albums of early hits from the rock, R&B and doo-wop eras. Laboe hosted dances at the El Monte Legion Stadium in 1960, he teamed with Dick Clark to stage an unprecedented rock ’n’ roll show at the Hollywood Bowl that sold 18,000 tickets.”īy 1958, “The Art Laboe Show” was a feature of radio station KPOP (now KTNQ) and his show originating from the popular Scrivner’s Drive-In restaurant in Hollywood was televised live on KTLA-TV. He introduced Ricky Nelson to the radio airwaves.

Art had been the first person to play the Sun Records of Elvis Presley and Jerry Lee Lewis. Laboe “was the very first DJ to spin West Coast rock ’n’ roll, to merge race music under one broadcast,” Kubernik wrote in the book “Turn Up The Radio! Pop, Rock and Roll in Los Angeles 1956-1972.” “When Elvis Presley came to town in 1956 with manager Colonel Parker, their only interview granted was to Laboe. After serving in the Navy during World War II and working in the Bay area, he moved to Los Angeles’ KXLA-AM in 1950 (the station later became KRLA), according to a Laboe history written by author Harvey Kubernik. Laboe attended high school in Los Angeles, then broke into the airwaves in San Francisco on radio station KSAN in September 1943. He was famous for taking calls from listeners who sought to send out dedications to loved ones, and in later decades forged a sentimental connection not just with nostalgia enthusiasts but a Latino fan base in particular.īorn Arthur Egnoian in Salt Lake City, he started tinkering with radios as a youth, and is said to have built his own station by the age of 12. He has a collection on permanent exhibit at Cleveland’s Rock and Roll Hall of Fame. Laboe was an inductee into the National Radio Hall of Fame. “I have one of the best jobs in the world, playing the music, interacting with our listeners, doing their dedications and connecting them with their loved ones! Thank you to our dedicated fans that have listened through the decades and made ‘The Art Laboe Connection’ a family tradition,” he said.

“My favorite place to be is behind that microphone,” Laboe said at the time of the 79-year anniversary in September.